Exploitation of the dead never gets old. A lot of people are currently cashing in, again, on the Notorious B.I.G. Never fails, recession, black president, remorse -- none hold any weight in comparison to the age old get-rich scheme of exploiting the dead, through ALL mediums.
Soundtracks, singles, and now movies are still resurrecting the Notorious B.I.G... And with fastidious fervor. Here goes my review.
As I sat in a huge theatre in wack Staten Island beside my little brother, I was expecting another "Black Film" like State Property, or Repo Man or anything by Master P. But to my surprise and excitement, this movie was FAR from any of those attempts at cinematography.
From the films inception I was hooked. The gentlemen who played Biggie did an amazing job, as did Biggie's son who played the younger version of the amazing Christopher Wallace. Diddy was played close to his counterpart, but slightly less arrogant and over the top (note: Diddy Executive Produced the movie). Tupac was also very true to life.
Angela Bassett SUCKED as Voleta Wallace, whose accent drifted in and out as the movie progressed. I felt a bit sad for Lil Kim, as they adequately portrayed her as the slide off -- turned artist, who's sex appeal and whore-like ways weren't merely held to the lyriqs of her songs. Faith was portrayed as an angel, super innocent. Good role.
The storyline was captivating and held me from start to finish. The movie was actually very comical, and because it was written by a Hotchkiss graduate, clearly had the right mix of storytelling simplicity and visual grandeur.
Actually filmed in Brooklyn, as I recognized all the areas present. It was refreshing to see Brooklyn portrayed as something other than "Crooklyn." It was refreshing to see a story of hope, perseverence, and struggle (internal and external).
Go see it, don't bring the kids, though, Lil Kim is naked almost from her first scene. LOL, shocked me!
Brooklyn stand up for C. Wallace, our hero.
K.